Cont. The Hudson River by Robert Glenn Ketchum

Continued,
THE HUDSON RIVER AND THE HIGHLANDS 

by Robert Glenn Ketchum

This is the story of my first major commission and book, THE HUDSON RIVER AND THE HIGHLANDS (Aperture, 1985). In 1984, #StephenShore, #WilliamClift, and I received a 2-year commission from the Lila Acheson Wallace Fund to photograph the #HudsonRiverValley. This blog tells the tale of the book, with many photos not seen before. Enjoy!

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Due to the size and quality of the photos included in this blog, and as too many photos tend to slow a blog down, we have opted to host these previous entries on a separate post in order to best optimize your reading experience. Enjoy!

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Monday, August 3, 2015

THE HUDSON RIVER AND THE HIGHLANDS #148:

HUDSON RIVER #148:  Here is one for #Ansel: “Moonrise Over Snow Removal Equipment near #IndianPoint.” It all depends on your point of view, I guess. In my last post I mentioned a small bay off of the river that ran to #Annsville, and on this eve I am exploring that bay. This is much the same POV as my last two posts, but I have added a few foreground elements. As “scenic” as the #HudsonRiverValley can be, it always amazed me to find pockets in the woods and right next to the river that were just “discarded” and often being used for industrial “storage” or just outright dumping of stuff.

photograph(s) © copyright, ROBERT GLENN KETCHUM, 2015, @RbtGlennKetchum @LittleBearProd #LittleBearProd @Wallacefdn @Aperturefnd @PentaxOnline

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Cont., China by Robert Glenn Ketchum

Continued, 

Traveling in CHINA Since 1985 by Robert Glenn Ketchum

During the reign of Mao (1949-1976), China was a closed country. China in the 1980’s was 80% rural, with no outside visitors, particularly from the West. When China opened to travelers, the Chinese government placed severe limitations on who was allowed to enter the country. Earthwatch was one organization that allowed foreigners to visit China without going through too much red-tape. These photographs are a first glimpse of China in the mid-1980’s by world-renowned Conservation Photographer Robert Glenn Ketchum. 

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Due to the size and quality of the photos included in this blog, and as too many photos tend to slow a blog down, we have opted to host these previous entries on a separate post in order to best optimize your reading experience. Enjoy! *******

Friday, May 29, 2015

Traveling in China Since 1985, #133

CHINA #133:   I've used the term “compound” to describe the #ZhuangyanMansion because it WAS a complex house of interconnected rooms, staircases, terraces surrounded by gardens, and a considerable outer wall. Because it was designed to protect the wealth, and family, of the owner -- besides the hidden room for valued objects and the escape passage to the lake -- the house itself was like a maze, and intentionally confusing to navigate. This #architecture was NOT random. Every twist-and-turn had some purpose, and best of all, every terrace had a view, and a breeze. One could watch for approaching enemies, while cooling off, and having tea!

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Cont., Shanghai by Robert Glenn Ketchum

Continued, 

SHANGHAI, OZ of the Orient by Robert Glenn Ketchum

During the reign of Mao (1949-1976), China was a closed country. China in the 1980’s was 80% rural, with no outside visitors, particularly from the West. When China opened to travelers, the Chinese government placed severe limitations on who was allowed to enter the country. These photographs are a continuation of other ongoing blog threads of the first glimpses into China in the mid-1980’s by world-renowned Conservation Photographer Robert Glenn Ketchum.

Friday, May 29, 2015

SHANGHAI, OZ of the Orient, #66

SHANGHAI, OZ of the Orient #66 - 1985 to the Present:  In post #19, I photographed school children in bright uniforms walking down a city street in #Shanghai, circa 1986. As I have said before, as much as things change, some things remain the same. Here in 2002, under the shadow of the #PearlTower, are hordes of school children in bright uniforms.  They are enjoying the sun and river views from the new #Pudong shoreline esplanade, while eating their lunch in this pleasant river park. In case you are curious, different colors in the same school define classes/ages. Different -- more colorful -- combinations in the uniform indicate completely different schools. Apparently it's helpful when there are as many as one hundred VERY energetic children you are trying to organize!

photograph(s) © copyright, ROBERT GLENN KETCHUM, 2015, @RbtGlennKetchum @LittleBearProd #LittleBearProd #China #Shanghai

Follow Robert Glenn Ketchum's Photographic Activism & Art Online:

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Cont., Suzhou by Robert Glenn Ketchum

Welcome to Suzhou, 1985 - to the present by Robert Glenn Ketchum

During the reign of Mao (1949-1976), China was a closed country. China in the 1980’s was 80% rural, with no outside visitors, particularly from the West. When China opened to travelers, the Chinese government placed severe limitations on who was allowed to enter the country. These photographs are a continuation of other ongoing blog threads of the first glimpses into China in the mid-1980’s by world-renowned Conservation Photographer 
Robert Glenn Ketchum.

Thursday, May 28, 2015

Welcome to Suzhou, 1985 - to the present, #67

Suzhou #67:   In the emergence of the New #China, the government was very careful to “manage” the national image; BOTH as seen from outside, AND as seen by the #Chinese themselves. Given the exhibit's expansive view of recent Chinese history, pictures that were politically objectionable to the new Chinese government were inevitable. There were numerous “historical” photos of #Mao, some of them very casual, such as him swimming with a group of friends, that drew no attention at all. However, other images, like this one from Robert Capa in 1938 were seen as moments and relationships the government preferred NOT to acknowledge in such a public exhibition.

ROBERT GLENN KETCHUM, 2015, @RbtGlennKetchum @LittleBearProd #LittleBearProd #China #Suzhou

Follow Robert Glenn Ketchum's Photographic Activism & Art Online:

WEBSITE: http://www.robertglennketchum.com/

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Cont., Silk Road by Robert Glenn Ketchum

Continued,

Silk Road - Embroideries of Robert Glenn Ketchum

The city of Suzhou, China, produced China's most beautiful silk and silk embroidery practiced by generational families for 3,000 years. My purpose in going to China starting in the mid-1980's was to turn my photographs into textiles, and this is my story. ~Robert Glenn Ketchum

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Due to the size and quality of the photos included in this blog, and as too many photos tend to slow a blog down, we have opted to host these previous entries on a separate post in order to best optimize your reading experience. Enjoy! 

*******

Thursday, May 28, 2015

Silk Road - Embroideries #123

SILK ROAD #123:   So, here are 2-of-the-4 panels of “Emperor Kangxi’s Inspection Tour of Southern China.” What you are looking at is about 10-1/2-feet long, and 2-feet tall; all stitched with human hair! What you saw in previous posts were details from these two panels. Post #120 (of the bridge) can be located in the middle, right of the right-hand panel. Post #122 is in the lower-right of the left-hand panel. As you can see, the detail sections I presented are barely 20% of their overall panel. Now extrapolate those minutiae of stitches across this entire piece: OMG!!! EVEN MORE AMAZINGLY, this “aerial” view is architecturally accurate. In 1986, I could still recognize bridges, historic gates, and walls, and the layout of certain neighborhoods! More than likely, the artist commissioned by the court to create this work in 1689 was in a pagoda tower, or on a hill above the city in order to correctly represent this POV.

photograph(s) © copyright, ROBERT GLENN KETCHUM, 2015, @RbtGlennKetchum @LittleBearProd #LittleBearProd #Embroidery @WesCFA @RSSDesigns

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TELL THE PEBBLE PARTNERSHIP TO CALL IT QUITS

The fight to stop the Pebble Mine goes on -- but the battlefront has moved from the U.S. EPA to the courtroom and beyond as we escalate massive nationwide pressure on Northern Dynasty Minerals, the last company standing behind the disastrous venture, to call it quits.

Over the last two weeks, NRDC ran a series of hard-hitting, full-page print ads in Washington urging the Pebble Partnership -- Northern Dynasty's legal entity -- to walk away from Pebble Mine. The EPA has confirmed that this gargantuan open-pit, gold and copper operation -- along with its estimated 10 billion tons of toxic mining waste -- carries catastrophic risk for Bristol Bay, its world-class salmon fishery, its pristine environment and its people.

Saying Goodbye to Bobby Andrew, Defender of Bristol Bay by Joel Reynolds

Saying Goodbye to Bobby Andrew, Defender of Bristol Bay
by Joel Reynolds, Western Director and Senior attorney, NRDC, Los Angeles

I didn't expect the Pebble Mine would outlast Bobby Andrew. He was a fighter who never seemed to get tired. Over 70 years old, and he was always willing to make the trip - whatever the trip, wherever it took him -- to talk, to testify, to tell the terrible story of the uniquely reckless scheme by international mining giants to poison the communities and wild salmon fisheries of Alaska's Bristol Bay with a gigantic copper and gold mine.

photograph © copyright, Natural Resources Defense Council 2015@NRDC @LittleBearProd #LittleBearProd 

Research Journal about Latin America Expands Digital Presence: Latin American Perspectives based at UC Riverside, has international reach

Research Journal about Latin America Expands Digital Presence 
Latin American Perspectives based at the University of California Riverside, has international reach

RIVERSIDE, Calif. – Latin American Perspectives, a bimonthly journal now in its 43rd year, is reaching out with a new website, latinamericanperspectives.com, and expansion of social media.

With its editorial offices on the University of California, Riverside, campus, LAP distributes to some 8,000 subscribers, including 2,300 institutions scattered around the world, especially in the United States and Latin America. It is considered one of the leading journals on Latin American studies.

Among its 110 editors are UCR scholars Ronald Chilcote; Edward A. Dickson, Emeritus Professor of Economics and Political Science; Jennifer Hughes, associate professor of history; Jonathan Ritter, associate professor of music; and Latin American librarian, Rhonda Neugebauer.

“Our emphasis on a powerful website and active social media is unique for an academic journal, but it is also important in drawing a large readership of researchers, students, and the general public into a deeper understanding of the rapidly changing events in Latin America,” said Chilcote, the journal’s managing editor.

The journal publishes primarily in English, but blog entries on the website appear in English, Spanish or Portuguese.

The new website and social media effort are being launched in conjunction with the XXXIII International Congress of the Latin American Studies Association May 27 to 30 in San Juan, Puerto Rico. The website was designed by Charles Murray, CMM Studio of Laguna Beach, and the comprehensive social media by RR Bernet, Little Bear Productions in San Francisco.

Robert Glenn Ketchum Unveils 'Mandalac Gardens' Series at Venice Art Walk

from the series:  MANDALAC GARDENS "Tequila Sunrise"   2015

CONSERVATION: Greenhouse Project 101

Follow #LittleBearProd (r.r. bernet)'s board CONSERVATION: Greenhouse Recycling Old Windows & Growing Plants on Pinterest.

Our step-by-step foray into constructing an #upcycled #Greenhouse out of #recycled windows that were destined for the dump...

Note:  This blog post is an ongoing chronicle of the construction of our #Greenhouse project, so it starts with the most recent entries at the top... To read this story from the beginning, scroll down to the first entry.

~ Entry 15 ~

The finished project!